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The Buck Moon
Luna De Sangre Newsletter Issue #12 .š„ Ż Ė

Happy full moon & welcome to the 12th issue of the Luna De Sangre Newsletter! ⹠࣪ Ė
According to the Old Farmers Almanac, tonights July full moon is known as the āBuck Moonā. The term, āBuck Moonā originates from the fact that around this time of year male deers, otherwise known as bucks, begin to grow out their new antlersā¦š

White Hart on the Wilton Diptych (1395) ā¹ Devotional Object of King Richard II
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The month of July has been quite a busy month for me so far, so sadly tonights newsletter will be on the shorter side, but I still wanted to pop in here with a few updates. First up, I have a new Luna De Sangre jewelry collection to share with you, next, a treasure trove of pictures from my recent trip to the newly reopened Frick Museum here in New York City, and lastly, I have a very exciting life update to share! Letās beginā¦
Shop Update ā The āIn the Bloodā Rosary Collection
Iām thrilled to announce that the entire āIn the Bloodā Rosary Collection is now available on the shop!
The āIn the Bloodā Rosary Collection is a small jewelry collection consisting of (3) rosary inspired adornments. I designed this collection using the same two solid bronze rosary charms (pictured below) as focal points for each one of the new jewelry pieces.

Solid 925 Bronze Rosary Charms
Both of the rosary charms pictured in the photo above are replicas of charms originally designed in Lourdes, France. The top charm in the photo depicts an artfully embossed profile of the āLady of Lourdesā (The Virgin Mary), while the bottom charm is the āCross of Lorraineā, a two barred cross associated with Joan of Arc that serves as a symbol of resistance and freedom.
The jewelry collection I created using these two charms include the āIn the Bloodā Rosary Anklet (Version I), the āIn the Bloodā Rosary Anklet (Version II), and lastly, the āIn the Bloodā Rosary Necklace.
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The āIn the Bloodā Rosary Anklet (Version I)
The āIn the Bloodā Rosary Anklet (Version I) is an anklet somewhat reminiscent of other rosary anklets Iāve released in the past. She features natural freshwater pearls and garnet crystals, ornately draped chain, and an extension chain for easy size adjustment.
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The āIn the Bloodā Rosary Anklet (Version II)
The āIn the Bloodā Rosary Anklet (Version II) is an anklet I designed specifically to be worn with heels. I stacked the chain to form four neat columns that drape down onto the top of the foot perfectly when the heel is elevated and the toes are pointed down. This is definitely one of my more dramatic pieces, a jewelry piece designed only to accompany a tall stilletto heel, but it wouldnāt be a Luna De Sangre collection if I didnāt include at least one piece with a little bit of theatrics.
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The āIn the Bloodā Rosary Necklace
You might remember this design from a previous newsletter, I shared a photo of this piece back in June when it was initially intended to be worn as a thigh garter. Late last month I decided to place the unfinished piece against the neck of my mannequin and immediately knew it had to be a necklace instead.
Unintentionally, when draped across the neck, this piece opens up to resemble the web of a spider. The back of this piece was also a shock to me, I believe it would pair beautifully with a backless dress.
I have decided to release a thigh garter at a later date.
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ā¹ Shop The Full Moon Sale ā¹
As always, the entire shop is now 15% off in celebration of the full moon!
Use the code: ā¹ FULLMOON ā¹ at checkoutā¦
Offer expires: 7/13/2025 at Midnight EST
The Frick Museum
![]() āThe Garden Courtā ā¹ The Frick Museum | ![]() Yours Truly in āThe Garden Courtā of the Frick Museum ā¹ |
After finalizing the āIn the Bloodā Rosary Collection, I knew I wanted to model at least one of the new pieces in the Garden Court of the newly reopened Frick Museum here in New York City. Established in 1935, the Frick Museum houses the vast art collection of the industrialist Henry Clay Frick.
All of the listing photos for the āIn the Bloodā Rosary Anklet (Version I) were taken in the Garden Court of the Frick Museum.
![]() āIn the Bloodā Rosary Anklet (Version I) ā¹ āThe Garden Courtā of the Frick Museum | ![]() āThe Garden Courtā ā¹ The Frick Museum |
Of course I made sure to first walk through the entire museum before the photoshoot, I stumbled into a room filled with Rembrandts, hunted down Monets āVetheuil in Winterā & discovered a new favorite painting, Whistlers āSymphony in Flesh Colour and Pinkā.
![]() āVĆ©theuil in Winterā (1878) ā¹ Claude-Oscar Monet | ![]() āSymphony in Flesh Colour and Pinkā: Portrait of Mrs. Frances Leyland (1871-74) ā¹ James Whistler |
Unfortunately many of the rooms had a strict no photo policy so below are just a few snippets of what we could capture within the museum walls.

Yours Truly walking the āGrand Staircaseā ā¹ The Frick Museum
![]() Chandelier above the āGrand Staircaseā ā¹ The Frick Museum | ![]() āThe Boatman of Mortefontaineā (1865-70) ā¹ Jean-Baptiste-Camille Corot |
Life Update! įÆā
Next month, on August 28th, I will be starting my very first day pursuing a bachelorās degree in Art History!
I have always had a deep love for the arts, learning all I could and bringing that knowledge into my artwork but last year was a pivotal moment for me. I made the decision to enroll myself into a local college and begin classes the fall semester of 2025.
This is something I have been wanting to pursue for a very long time now and my first day of school is fast approaching. I am so incredibly excited to not only bring all that I learn into my future jewelry pieces but also into this newsletter! I genuinely cannot wait to share a deeper knowledge of art history with you.
For the past few months, in preparation of my art history degree, Iāve been consuming a plethora of art history books and documentaries. One of my most favorite art history documentaries I discovered recently, as cliche as it sounds, is one I watched about Vincent van Gogh titled, Vincent (1987).
Weāve all heard of Vincent van Gogh, heās one of the most famous figures in Western art, but while watching this documentary I quickly realized how little I actually knew about this artist.
āVincentā (1987) is not your typical documentary. Instead of delving into facts about the artists life from an outside perspective, this documentary takes a different approach.
Every line spoken in this film is a line Van Gogh wrote himself, lines taken from the hundreds of letters Van Gogh wrote to his dear brother, Theo. Although Theo van Gogh was Vincents younger brother, he supported the artist for most of his adult life, he is the sole reason Vincent was able to create the vast amounts of art that he did.
In many of these letters to his brother, Van Gogh muses about his art, his faith, and his sorrows.

A Letter from Vincent to Theo ā¹ 08/03/1882
āIt stands to reason that many people are unable to carry on because of expenses, and I cannot express how grateful I am that I can work regularly. To catch up on the time I lost by starting later than others, I will have to try twice as hard, but even with the best will in the world I would have to stop if I did not have you.
- What we saw together in Scheveningen - sand, sea, and sky - is something I would most certainly hope to express sometime during my lifetime.ā
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Watching this documentary, listening to the many beautiful lines written by Van Gogh himself, I learned that this man was not only a master of the brush but also a master of the pen. Below are just a handful of my favorite lines he wrote to his brother Theo.
āTo forget, I lie down in the sand by an old tree trunk and make a drawing of it, smoking a pipe and looking at the blue sky, or the moss, or the grass, and I am a thousand miles away from everything and much happier.ā
āIt is true that I am often in the greatest of misery, but still there is a calm pure harmony and music inside me.ā
This last excerpt is one I feel will deeply resonate with you if you too are an artist, or a worker under capitalism. I even wrote this one down in my journal just so I could come back to it whenever Iām plagued with similar thoughts and want to feel less alone in them.
āI think one only gets some peace after one has accomplished something.
When I think of the future, one of almost invincible difficulties, when I think of the many watching me who will know where the fault is if I do not succeed, when I think of all this, of all the difficulties and cares that do not lessen as we advance in life, then I wish I were far away from everything.ā
If any of the quotes above resonate with you, I recommend not only watching the documentary we discussed but also reading the novel, āThe Letters of Vincent van Goghā published by Penguin Classics, inside this novel are hundreds of the letters he wrote during his lifetime.
The Impressionists ā¹
After having just watched and deeply enjoyed the Vincent (1987) documentary, I decided to dive deeper into the world of impressionism.
Impressionism was an art movement that began in 19th century France characterized by the study of light and color.
Some of the very first artists to be classified as āimpressionistsā were artists like Monet, Manet, Degas, Pissaro, Renoir and many other well known painters. At the time, this style of art work wasnāt taken seriously by French art critics and impressionist artists had to fight hard for their position in art history, many had to band together to create their very own exhibitions just so they could have their work on display.
A few of the impressionist artists that I have fallen in love with, besides Van Gogh, include the Spanish painter Joaquin Sorolla, the French painter Edouard Vuillard, and lastly, the Danish-French painter Camille Pissaro.
Below are three of my favorite paintings by this trio, all depicting garden scenes.

āLa Siesta en el Jardinā, The Nap in the Garden (1904) ā¹ Joaquin Sorolla y Bastida

āIn the Gardenā (1898) ā¹ Edouard Vuillard

āThe Artistās Garden at Eragnyā (1898) ā¹ Camille Pissaro
Sketchbook Update į°
Last month, while I was consuming a fair amount of impressionist paintings, I was incredibly inspired to try my hand at my very own impressionist painting. Although amateur in comparison to the greats, this little painting that I made in my sketchbook (pictured below) will forever serve as a sweet reminder of the month I first dove into the world of impressionism. :ā-)

Impressionist Sketchbook Study ā¹ 6/21/25
Before I Say Goodbyeā¦
Weāve reached the end of this months full moon newsletter but before I say goodbye I would love to leave you with one painting from each of the four impressionists we spoke about today. I highly encourage looking at more of their artworks when you have the spare time, maybe they will inspire an impressionist painting out of you too.
![]() āMotherā (1895) ā¹ Joaquin Sorolla y Bastida | ![]() āMisia Ć Villeneuve-sur-Yonneā (1895) ā¹ Edouard Vuillard |
![]() āThe Napā (1882) ā¹ Camille Pissaro | ![]() āSower at Sunsetā (1888) ā¹ Vincent van Gogh |
Click here to log into the āLuna De Sangreā Newsletter Archives to read past articles or share your thoughts & recommendations with me over in the comment section, Iād love to hear from youā¦
Until the next Full Moon, - LDS ā | ![]() |
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